RESINITE Mouthpiece Top (Warburton Threads)

MADE FROM OUR TOUGH, SKIN-SAFE RESINITE! Our mouthpieces feel great, sound great and look great. Unbelievable quality for an unbeatable price. 

We make custom mouthpieces to suit individual needs. Need a 3C that's just a touch deeper? We can help. What a different rim on your mouthpiece? Done! Need something better suited to cold-weather gigs? RESINITE has your back!

We have hundreds of mouthpieces on file that we can use as a reference to help create your dream mouthpiece.

*** Rim Diameter Comparison Chart available here! ***

Our standard cup options include:

CORNET
XXDB or XXDB+ Extra deep with some additional bowl to the cup shape compared to the XXD)
XXD or XXD+ A very deep V shaped cup. A little deeper than a Wick No-Letter

XD or XD+ A deep V shaped cup. A little shallower than a Wick No-Letter

D A deep cup with a bowl shaped upper cup and a long V-shaped section leading into the throat.

DX+ A very deep but extremely efficient cup with lip room at the top and a convex V shaped cup through the middle.

MX+ A deep but extremely efficient cup with lip room at the top and a convex V shaped cup through the middle.

MD A medium deep bowl shaped cup. Similar to a Wick B cup in volume.

S A shallow (by cornet stanards) bowl-shaped cup for Soprano Cornet players who like a bach-style cup.

SV A shallow (by cornet standards) V-shaped cup for Soprano Cornet Players who like a V shaped cup like the Wick or Alliance S cups.

SX+ A medium-deep mouthpiece (by cornet standards) but extremely efficient with plenty of lip room at the top of the cup and a suprising amount of cup depth that has a convex shape through the middle of the cup.

TRUMPET

Claude Gordon Legacy Series

CGP (Claude Gordon Personal) Comparably to the KANSTUL version of the Claude Gordon Personal mouthpieces. i.e. a predominiately V-shaped cup.

CGP+ (Claude Gordon Personal Plus) - Comparable to the Marcinkiewicz Claude Gordon Personal mouthpiece, with some additional lip room at the top of the cup and slightly more forgiving rim shape.
CGS (Claude Gordon Shallow) - The same cup shape as the CGP but the entire cup has been made proportionally shallower. This is my version of something like the CG3. It is a very medium cup depth, and makes a great alternative to something like a Bach 3C.

Classical Series

BC - A deep cup that is a hybrid of a "V' and a 'C' cup. The top of the cup has more lip room like a C cup, but is less bowl shaped through the middle of the cup.
CV - A very deep cup that is a hybrid of a V and a C cup. Compared to the BC, the CV is significantly deeper with a steeper slope at the top of the cup, with some bowl through the middle of the cup. We love this cup because despite its depth, it plays really great from bottom to top, and has an absolutely enormous sound when paired with a properly orchestral backbore.

CLX - This is a C / Convex-V hybrid cup. It's pretty deep by trumpet standards but has a weighty sound profile and is just efficient and fun to play. This is a wonderful option for Posthorn Solos and when you want a more "Rotary Trumpet" sound.
HH 135 - This cup is based on one of Hakan Hardenberger's mouthpieces. While we can make this cup shape in any depth, made just a little shallower, this cup really comes alive and provides a terrific alternative to a standard "C" cup for all solo, chamber and orchestral playing.

Academy 1 - Designed to make a wonderful all around mouthpiece for developing players, this cup is efficient and colorful and very responsive. Creamy when you back off but a full sound with good front when moving more air.

CL1 - The CL1 is a fantastic mouthpiece with a nice brightness to the sound, but a lovely, rich colorful core thanks to the large throat entrance which acts sort of like a subtle double cup and provides some extra space for the sound to "develop" without losing the efficiency of the upper cup shape.

Trumpet-Flugel Hybrid

FLX - My super deep Trumpet-Flugel Hybrid for when you want that flugel sound without having to switch. Combine it with our FX backbore and it will play in tune and the upper register will be suprisingly easy! It uses one of the convex cup designs from our Cornet mouthpiece line that gives heaps of depth but a lot of efficiency as well!

Commerical Range 

Plus a range of commercial cups, but it's best to discuss shallow cups with you to make sure you get something that actually works and is playable for you.

SCREECH - This is our take on a mouthpiece that is bright and really soars, sings and sizzles in the upper register, but is much more forigiving than something like a Schilke 14A4A etc. It has enough chop room that you can play the bottom end with a big, full sound (especially if used with our Lead backbore) but can put out a heinous amount of sound in the upper and extreme upper register. It works especially well for folks struggle to find a Lead mouthpiece that works in a wider diameter. I designed this for myself to use as I like wide diameters but could never find something that really helped in the top end without either creating issues in the bottom end or after playing for a while.

X - X cup is a convex V cup with some chop room at the top of the cup. This is just another approach to creating an efficient cup for the upper register that will work better for most people than using something like a schilke 14A4A.

I have SO many cup designs that I've made to test myself. The tricky thing with a commercial mouthpiece is that as the cup gets shallower, it becomes increasingly important that the cup volume is distributed in a way that supports your chops and adds compression without impinging on the vibration. For some, this means they need more V, some need more bowl, some need a lot of lip room, some need the cup entry to support the chops etc. The rim shape also becomes increasingly important to get right for the individual, because some rim shapes 'squish' the lips in a helpful way when some pressure is applied, and some rims squish them in a way that leads to vicious cycle, range limitations and chop meltdown.

For this reason, it's best to chat with me so we can work out what might work for you. We can work on some playing tests to see where things might be going awry and make some adjustments from there!